Today I think I made the best mental-health-in-the-Internet-age decision since deciding to de-install the Facebook app from my phone.
I decided to permanently close the comments section on my blog.
The decision was inspired by something that happened this morning. I realized I hadn't moderated my comments in a while, and I figured that I could tick something off the list for the day. So I got into the comment moderation section of my blog and saw dozens of comments on one post I had written on deciding to block this dude on Facebook because of a bad, unresolved feeling I had about our friendship a long time ago. Blocking people, last time I checked, is totally my (or anyone else's) prerogative. It is almost always harmless, and leads to the avoidance of unnecessary stress. And I'd guess that often the other person doesn't even notice that it's happened. Despite this relatively pacifist move, I managed to enrage about 3 dozen members of Reddit, where my blog had been re-posted, who invested in commenting through my comments interface (yes, they personally felt they had to come and e-lambast me when they could have just done it on Reddit).
The consistent pathologizing tone of the comments was what disturbed me the most.
More than hurling epithets (though, yes, girl epithets were hurled) or commenting on my looks, these comments sought to destabilize my notion of reality, to position me as moronic, ill-equipped to handle the "real world," and entitled. Well, ok, maybe I'll grant the entitled part, though I tend to identify as "pretentious-light."
More than anything I felt that these commentators sought to "put me in my place," arguing that I didn't have the right to block someone or have feelings about them.
In short: totes weeeird, girl. And totes draining!
The good news:
These people absolutely inspired me to take care of my mental health!
They made me realize something important: I need to invest only in the people who invest in me. People who aren't invested in me have no place in my comment section, my inbox, my thoughts, or my life.
I realized that even though often I get super lovely comments from very supportive people (thanks lovely, supportive people!) that my time moderating comments could be better spent writing, reading, painting my toenails, contemplating my fat bitch takeover apocalypse, or otherwise investing in people (and pursuits) who nourish me.
I'd looove to encourage you to invest only in the people who nourish you, the pursuits that make you feel stoked, and to have a conversation about stuff in person rather than online.
It's bye bye to comment moderation for this babe.
Last Saturday me and BFF, Jessica, went straight from breakfast burritos at The Grind to Intersection for the Arts for a Kearny Street Workshop hosted modeling and runway workshop in anticipation of their sure-to-be-bomb fashion show on May 31, Celebrate Your Body (use code "fashionforward" for limited time to get $2 off price of admission), where you will see me, duh, modeling & strutting.
Was this the first time I've experienced the harrowing challenge that is le modeling? No. But Saturday was a crash course in working the runway. Stephanie of San Francisco's 31Rax was presiding as I and about 40 others (in a dazzling array of representation across the size, gender, race, and age spectrum) werq'd it to Rihanna et al.
Here are the 3 secrets that I learned about working the runway (and life):
1. Slow down - way down. Find the beat to the song that's blasting and really feel it in your hips and your feet. My burlesque training really came in handy on this one.
2. Make every moment photograph worthy (rule to live by!).
3. Make eye contact. As you walk down the runway, as you pose.
Check out Kearny Street Workshop's upcoming show, Celebrate Your Body, on May 31 in San Francisco. Save $2 off tickets with secret code "fashionforward" now.
Keywords: fat modeling, fat fashion, fatshion, plus size fashion
Not many people know this but when I originally pitched Hot & Heavy the book was going to be all about fat girl sex... Sexuality has always felt like my political nest, the place from which I stretched my baby feminist wings. I am drawn to talking about sex openly and honestly because I experience it as a deeply political and pleasurable act. Dirty stories have brought people together for, well, a really, really long ass time. I never feel closer to people than when I'm telling them about that one time I queefed in my boyfriend's face (seriously, that was my opener when we would hang out with new couples) or they're telling me about that time they found glitter in their pussy, like, 8 days after that one orgy they went to.
Interestingly, whenever I talk to people who haven't read Hot & Heavy: Fierce Fat Girls on Life, Love and Fashion they presume that the book is a full-on salacious read about hot times at Fat Ghurl High. I'm not sure if it's because of the cover (featuring duhliciously sexy April Flores), because I'm a pervert (or maybe they are) or because the title is a reinterpretation of a sexy turn of phrase. Just to set the record straight: as much as I love the idea of a book all about the secret sex lives of fatties, H&H isn't actually all about sex. Though, I will give you a little secret: when I originally pitched the book to Seal Press, it was. My idea was to interview a bunch of fat girls about their sex lives and share all the juicy details thus blowing the mind of all society, kick-starting an orgiastic fatty revolution. The senior editor at the time, the too-fab-for-words Brooke Warner, had a vision for a book that delved deeper into other arenas of fat girl life. It turned out that I LOVED that idea! We collaboratively came up with the idea for what is now Hot & Heavy.
I heard from Good Vibrations a few months ago and they said they were thinking about buying the book. They were one of a few local bookstores who really supported me during the sale of my first book (about boobies, in case you didn't know), and I was stoked that H&H was a fit for them. I was also excited because I immediately saw the opportunity to focus on the naughtier parts of the book in a reading... which is happening this THURSDAY at 1620 Polk Street! Yes, March 14 from 6:30-7:30 catch me and Miss Kitty Stryker reading from the book's more adult chapters. Kitty's chapter, "Fat Sex Works!", is an incredible look into her experience as a fat sex worker in the US and abroad. I will be reading choice morsels from chapters "2Fat2Fuck" by Rachel Kacenjar, "Journeying Into a Fat, Fleshy Vulva" by Shawna Peters and "The Fat Queen of Speed Dating" by Golda Poretsky. And there might be a little peak into my chapter, "Pecan Pie, Sex & Other Revolutionary Things." There will be truffles, there will be naughtiness, there will be cleavage (personal guarantee on mine at least; feel free to bring yours). Hope to see local folks there there! And if you're not around enjoy a couple chapters and raise a glass. We'll be there with you in perv spirit.
In today's New York Times post, "Plus-Size Bloggers Are Role Models," Bethany Rutter of Arched Eyebrow, spoke about how fatshion can lead to people “...examining their relationship with their body for the first time, questioning why they feel they should lose weight or why they feel they don’t deserve to enjoy fashion.” Bethany's words made me think about my history with fashion and the ways that fatshion has become such an integral part of the body liberation movement - and why.
I come from a long line of fatshionistas. My grandmother, Esperanza, was a master seamstress - having learned all her skills from her mother, Manuela - until she got Parkinson's. Her sewing subverted the patriarchy of my grandfather, who was threatened by her skills and her secrets; they subverted the post-production capitalism we had inherited, which said we could abdicate those skills in favor of mass-produced looks palatable to Western aesthetics; they subverted the thin-centric clothing manufacturers who said there was no room for her body or mine. My mother, Maria, liked to use glittery puffy paint to enhance denim skirts she'd turned into minis. She'd draw entire scenes from The Little Mermaid on the pockets of the skirts, and she'd turn discarded, seemingly hopeless things into elaborate and beautiful gifts for me. She made me leopard-print jumpers and fashioned my hair into gloriously high side pony tails. She helped me practice fierce quippy one-line retorts to defend my body against the rapid onslaught of attacks it constantly buffeted. I didn't have the skill to understand their labors of love. I hated that I couldn't find clothes in my size. I didn't want to be special or seen.
Clothing has always made me interact with my body in a very real way. As a little fat girl, it was clothing that became symbols of my body's failure to conform, and as a grown & ferosh fat lady, it is clothing that has become a claim to visibility and a challenge to conquer, alter and radicalize. I have to understand the dimensions of my body - how wide my upper arms are, how big my bust is, how my hips are shaped, how many inches I need to account for when I sit down (and my belly pops more!) - when I'm buying or altering clothes.
I feel like my wardrobe - the hair birds, the sequins, the tiny veiled hats, the endless nautical-themed outfits - is part of my healing process. It's the intentional flouting of feminine convention. It's the conscious refusal to make others feel comfortable by putting my lumps away. It's laying to rest my old, little girl ambitions of invisibility. And it's laying claim to a new politic of customized disobedience.
Virgie Tovar, MA is one of the nation's leading experts and lecturers on fat discrimination and body image. She is the founder of Babecamp (a 4 week online course focused on helping people break up with diet culture) and the editor of Hot & Heavy: Fierce Fat Girls on Life, Love and Fashion (Seal Press, 2012). She writes about the intersections of size, identity, sexuality and politics. See more updates on Facebook.